The cruel irony of what happened to Maria Conchita Alonso this past week lies in the following: Here was a woman descended from Communist Cuba, who emigrated to the United States from Communist Venezuela, only to find herself a victim of the more insidious totalitarianism of a monolithic Leftist artistic establishment.
For those unfamiliar, Maria Conchita Alonso is a Cuban-born, Venezuelan-raised actress who had the temerity to endorse a conservative gubernatorial candidate in California. Even worse, in an interview she said she supported candidate Tim Donnelley’s views on immigration, using the term “illegal” to describe immigrants who were here…well…illegally.
The penalty for her thought crime? Alonso was compelled to “resign” from her role in a Spanish-Language version of the “Vagina Monologues” set to run in San Francisco’s Mission District in mid-February.
Eliana Lopez, the producer of the show, and herself a fellow Venezuelan actress, said “We really cannot have her in the show, unfortunately…Of course she has the right to say whatever she wants. But we’re in the middle of Mission. Doing what she is doing is against what we believe.”
Stated differently, here was a Hispanic woman telling another Hispanic woman that her views on Hispanic immigration were too odious to be given sanction by a role in a performance. Apparently not all wise Latina women are born equal.
Maria Conchita Alonso is just the latest in a series of victims of the Left’s fatwa against anyone who does not hew to the party line in recent years.